He instinctivly knows how to illicit naturalistic, comfortable and utterly human performances from his casts and Sometimes a Great Notion is no exception. ![]() Not only as an actor, but also as a director. With each movement forward, more of the river comes into focus, but at first, from a distance, it is: Metallic at first, seen from the highway down through the trees, like an aluminum. Next a cinematic description of a river beginning from far away and slowly tracking inward, closer. Newman is one of the finest artists ever to come out of Hollywood. The novel begins with an invitation: come look. This is a film that one can almost smell. The sense of time and place is impressively captured in the photography of rusting metal, dripping ferns, rotting wood and mildewed carpets. ![]() Kesey's rich descriptions of the land remain largely intact. Newman spent a great deal of time in my native Oregon researching the part and the film and his homework shows. 49) points out: One of the mainstays of drama classes is the notion. The end of the novel will reveal that the arm belongs to Henry Stamper, patriarch. Sometimes it is incorrectly assumed that creativity occurs best in group work with the. The description takes an ominous turn when the narrator focuses on a disembodied arm attached to the pole of a boat going downriver. The famous scene where Newman tries desperately to save Jaekel's character from drowning is heartbreakingly tragic and darkly comic. The omniscient narrator describes the landscape of the Oregon coast and the fictionalized Wakonda Auga River. Who better that Henry Fonda to play Newman's father? Richard Jaekel richly earns the Oscar nomination as the dim-witted but enthusiastic born again lumberjack Joe-Ben. The dialogue while rather shallow and weak in spurts (Kesey's rich vernacular is lost)is overcome by a wonderful ensemble cast featuring some of America's finest. ![]() That said, Paul Newman and his production team have created a most admirable and solid, if rather top heavy adaption of Kesey's excellent novel. Marcel Proust is considered both a great chronicler of this epoch and trailblazer of. Kesey's prose while exceptionally cinematic in its description and action ironically proves unfilmable. In the beginning, he is sometimes attracted to one, sometimes to another. Kesey's superb epic novel with its shifting points of view and verb tense is far too complex a work to adapt directly.
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